- Paul Thomas Anderson's Boogie Nights (1997) captured transition from the swinging 70s in the adult film industry to the direct-to-video 80s. The movie romanticized nothing about either era with its characters' broken souls and rampant drug use. It featured a stellar cast: Mark Wahlberg as a deluded star whose only gift is between his legs; Burt Reynolds' Golden Globe winning performance as a porn director who wanted stories in his movies; Julianne Moore as an actress (Amber Waves) who lost custody of her child but acts as a mother to Mark Wahlberg's Eddie/Dirk; Don Cheadle as an actor who wants to leave the business to sell stereos (his real passion); and Heather Graham as a starlet who dropped out of school. William H. Macy's role as "Little Bill" sparked a symbolic transition from the 1970s into the 1980s. Cocaine was a big continuing line throughout the movie, but the story captured the consequences of abuse and addiction with Dirk's downward spiral and Amber's custody battle.
- Fast Times at Ridgemont High was my high school and a lot of other high schools in the early 1980s. Sean Penn established himself as one of the great character actors as Jeff Spicoli.
- American Psycho, a dark satire based on Bret Easton Ellis' novel, captured the smug, yuppie mores of Wall Street in New York during the late 1980s. The role served as Christian Bale's springboard to Hollywood's A-list and gave me a whole new appreciation for Huey Lewis and the News.
- Oliver Stone wrote and directed Wall Street -- which was meant as a cautionary tale. However, the film, as well as Michael Lewis' Liars Poker, gave wannabe yuppies a playbook during the following two decades. Michael Douglas plays Gordon Gekko, a corporate raider whose mantra of "greed is good" has inspired many on Wall Street to share his worldview. Charlie Sheen (Bud Fox) aims to be Gekko's protege, but the values of Wall Street clashed against those of his father, who is a union representative at an airline that Gekko is targeting. The movie created some high drama and won Douglas an Oscar.
- "They Live" represented a different take on the "Morning in America" of the Reagan Era. Starring pro wrestling legend, Rowdy Roddy Piper, the movie captured the widening divide between America's "haves" and "have nots" in a fashion that was every bit as knowing as "American Psycho" and "Wall Street." Piper discovers special glasses that allow him to see aliens in our midst that have taken over the earth.
Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts
Wednesday, March 13, 2013
Best Movies About The 80s
As a man who graduated high school in 1985, the 1980s represented my coming of age. The Baby Boomers matured in the 70s, where they saw Watergate, the last gasps of the Vietnam War, disco and a lousy economy. The 1980s were a big turnaround. We had Reagan, Wall Street, "Morning in America," and a renewed optimism, except for AIDS scaring people sexless. This blog topic came to mind after I caught Boogie Nights on television the other day. The movie was made in 1997, but it tried to serve as a time capsule of the late 70s and early 80s. I would welcome any debate or comments, but this is my list of best films about the 80s in no particular order ...
Tuesday, June 8, 2010
Why Hollywood has sh*t the bed ...
Avatar and Alice in Wonderland did big box office late last year and early this year, but the cupboard's running dry for Hollywood. Time.com is noting that May's box office take was 11 percent below a year ago and that is despite higher ticket prices.
It boils down to one thing: There's nothing good on the big screen today. There are only so many sequels that one man can take. I'm not too nostalgic for comic books and old-television shows. That's what TV-Land is for.
Time's critic, Richard Corliss, details some of the reasons why the box office take is lower and nails a lot of the right reasons. However, his reasons could be boiled down to one big one: A lack of good ideas.
But if you are a writer, would you want to write for a film studio?
There's plenty of crap on television. But with the number of channels available, there are outlets for good writing. Shakespeare would be writing for television if he were alive today.
"Breaking Bad", The Wire, Battlestar Galactica and The Sopranos allow long form story telling that is literary. The themes are complex; the characters are engaging and the plots grab you. How often do you see that on the big screen? Even "Curb Your Enthusiasm," "It's Always Sunny in Philadelphia" and "Glee" offer more laughs in an episode than a typical film.
Okay, I realize that some nuggets of gold are bound to emerge from the landfill that is on cable and our broadcast networks, but I don't think the batting average is that much better for films. If you are running a movie studio and are committed to spending $50 million to $100 million to produce and promote a movie, wouldn't you demand something resembling quality?
Only three of the top ten grossing films last week had favorable critical appeal, according to Rotten Tomatoes.com, a compiler of movie reviews. Even among those three ("Get Him to the Greek," "Iron Man 2" and "Splice"), they were not resoundingly praised. As you can see from the films that got praise, movie critics are not as elitist as they used to be. They just want to be entertained to like the rest of us.
Is that too much to ask from movie studios? Anyway, what's playing at the cinema?
Nothing worth seeing ...
ADDENDUM 6-20-10
Toy Story 3 -- yep a sequel -- actually was very well done. It lives up to the standard of the other Pixar movies (Finding Nemo and the other Toy Story movies). Oddly enough, a computer-animated movie is more heart felt than 90 percent of what comes from real actors.
It boils down to one thing: There's nothing good on the big screen today. There are only so many sequels that one man can take. I'm not too nostalgic for comic books and old-television shows. That's what TV-Land is for.
Time's critic, Richard Corliss, details some of the reasons why the box office take is lower and nails a lot of the right reasons. However, his reasons could be boiled down to one big one: A lack of good ideas.
But if you are a writer, would you want to write for a film studio?
There's plenty of crap on television. But with the number of channels available, there are outlets for good writing. Shakespeare would be writing for television if he were alive today.
"Breaking Bad", The Wire, Battlestar Galactica and The Sopranos allow long form story telling that is literary. The themes are complex; the characters are engaging and the plots grab you. How often do you see that on the big screen? Even "Curb Your Enthusiasm," "It's Always Sunny in Philadelphia" and "Glee" offer more laughs in an episode than a typical film.
Okay, I realize that some nuggets of gold are bound to emerge from the landfill that is on cable and our broadcast networks, but I don't think the batting average is that much better for films. If you are running a movie studio and are committed to spending $50 million to $100 million to produce and promote a movie, wouldn't you demand something resembling quality?
Only three of the top ten grossing films last week had favorable critical appeal, according to Rotten Tomatoes.com, a compiler of movie reviews. Even among those three ("Get Him to the Greek," "Iron Man 2" and "Splice"), they were not resoundingly praised. As you can see from the films that got praise, movie critics are not as elitist as they used to be. They just want to be entertained to like the rest of us.
Is that too much to ask from movie studios? Anyway, what's playing at the cinema?
Nothing worth seeing ...
ADDENDUM 6-20-10
Toy Story 3 -- yep a sequel -- actually was very well done. It lives up to the standard of the other Pixar movies (Finding Nemo and the other Toy Story movies). Oddly enough, a computer-animated movie is more heart felt than 90 percent of what comes from real actors.
Tuesday, November 18, 2008
Monday, November 17, 2008
"Casino Royale" opening scene
I enjoyed the opening scene of Casino Royale a great deal. It was one of the best stunt sequences captured on film.
Saturday, November 15, 2008
New Star Trek Movie
My son and I caught the trailer before the James Bond movie. It looks extremely cool and is the top of my list for movies to see in 2009! This is not as cool as the trailer I caught in the movies, but it gives a hint about what's to come. http://www.apple.com/trailers/paramount/startrek/medium_trailer.html
Thursday, October 30, 2008
A few of my favorite things
Everybody knows how I like to preach the gospel about The Wire. Here's some other stuff that I like:
www.accuradio.com Listening Post and Future Perfect Radio
How can you hate Robert Duvall's performance here. It's inspired lunacy. "You either surf or fight...If I say it's safe to surf this beach, it's safe to surf this beach." Apocalypse Now Redux (a longer version) has more footage about him pursuing Capt. Willard and Lance for stealing his surfboard.
Does God really protect the stupid? Watch this video:
Some people go out of their way to prove Darwin right.
Yeah, I'm voting for Obama. I want us out of Iraq. I tend to agree more with the Libertarians. Take a look at its platform here. Zimmer and Lautenberg are not getting my vote for Senate -- Jason Scheurer is.
I like news shows that take the piss out of Bush. See Keith Olbermann's Countdown.
--30--
www.accuradio.com Listening Post and Future Perfect Radio
How can you hate Robert Duvall's performance here. It's inspired lunacy. "You either surf or fight...If I say it's safe to surf this beach, it's safe to surf this beach." Apocalypse Now Redux (a longer version) has more footage about him pursuing Capt. Willard and Lance for stealing his surfboard.
Does God really protect the stupid? Watch this video:
Some people go out of their way to prove Darwin right.
Yeah, I'm voting for Obama. I want us out of Iraq. I tend to agree more with the Libertarians. Take a look at its platform here. Zimmer and Lautenberg are not getting my vote for Senate -- Jason Scheurer is.
I like news shows that take the piss out of Bush. See Keith Olbermann's Countdown.
--30--
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